BAZIN CINEMA IMPURO

Movie prologues were stage presentations based on themes, characters and scenes of the foreign films they preceded. The workshop ran from Two Ways of Filming a Crisis: The aim will be to explore this theme through a historical perspective that foregrounds the central importance of music in Brazilian cinema and arts. Visiting scholar Amanda Mansur acted as discussant. A leading scholar on the phenomenology of the film experience, popular genre cinema and film in the digital era, Purse will pursue research on the Hollywood origin of the movie prologues and other American influences on the Brazilian industrial production of the ss. UoR Co-I John Gibbs Gibbs will draw on his expertise in American film traditions in order to conduct research on their dialogue with Brazilian currents throughout history, including their particular contribution to intermedial developments such as the movie prologues and the industrial production of the s. Her research will explore how intermediality in Chinese independent cinema emphasises an intentional strategy that highlights questions regarding marginalised citizens in China who have been impacted by unprecedented transformations since the death of Communist leader Mao Zedong.

Link to text article in title and reference above. December , University of Reading, further details to be confirmed. The oral exam, which will take the form of a discussion with the examiner, will cover the topics and concepts explicated in class and inspected in the prescribed bibliography and secondary texts. UoR Co-I John Gibbs Gibbs will draw on his expertise in American film traditions in order to conduct research on their dialogue with Brazilian currents throughout history, including their particular contribution to intermedial developments such as the movie prologues and the industrial production of the s. What about the end of the history? The aim will be to explore this theme through a historical perspective that foregrounds the central importance of music in Brazilian cinema and arts. The Brazilian director Ana Vaz is steadily building a portfolio of experimental works that address in equal share the lasting impact of the spread of empire, and the felt effects of the anthropocene.

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There are also discounts for groups. Dialogues in Brazilian Film History. Towards an Intermedial History of Brazilian Cinema: What about the end of the history? Silent Movie Prologues in Brazil brought together theatre and film, by restaging the comedic movie cinemaa which used to precede the screening of silent Hollywood films.

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Analysis of films 3. Cesarino Costa is a prolific writer on the historiography of early cinema and is currently working on Brazilian industrial film production, focusing on intermediality, gender and national identity issues.

Mulheres no cinema brasileiro. I spoke with Vaz recently about her filmmaking process, and about the philosophical implications of her work. You can find out more about our cookie policy. Albert Elduque University of Readingand was focused in the relation between cinema and history taking particular account of colours and songs. Since their earliest collaborations in Brazil, they have shot mostly in 16mm, and today maintain a strong interest in the materiality of their medium as part of the analogue film collective, LaborBerlin.

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Intermidia – AHRC-FAPESP Collaborative Project

Film researchers have worked on the connections between Brazilian chanchadas and popular theatre, radio, phonographic industry and Hollywood.

Know the main evolutionary stages of cinema history from the technical, linguistic, aesthetic, economic and social aspects, as well as the specific features impruo movements, trends and aesthetic orientations. Continue using this website. The flourishing and diversification of independent filmmaking from that period onwards favoured not only a new approach to reality, but an emboldened use of the film medium that acknowledged and exposed its inextricable connections with other art and medial forms.

Realist Cinema as World Cinema. In Liz M, Portuguese Cinema: A video essay analysing the use of the freeze frame in two Brazilian films. Film analysis of a specific case study.

A general knowledge of the main features of evolutionary stages of cinema history from the technical, linguistic, aesthetic, economic and social aspects, as well as the specific features of movements, trends and aesthetic orientations.

Drawing on his theatrical experience, he will oversee the re-enactment of the prologues at UoR. The examination will last approximately 30 minutes.

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Corsi di Studio Units. Estudos Interdisciplinares de Cinema, Literatura e Sociedade.

Preview Screening of Passages (18min version)

Revista Portuguesa da Imagem em Movimento, The full programme can be seen here: Cinems Intermediality as a Historiographic Method’ This project focuses on cinema’s nature as a mixture of arts and media in order to produce the first, groundbreaking intermedial history of Brazilian cinema. In this way, in the context of studies on history, literature and film, intermediality was presented as a strong and promising historiographical conema.

Colonialism as fantastic realism in Tabu. Join us at the Minghella Studios on the 6 th and 7 th of December to experience the restaging of two Silent Movie Prologues, together with a screening cihema the films they were designed to accompany: Reck Miranda is an active researcher in film music and film sound in world cinema and Brazilian cinema in particular.

An interview with Helena Ignez. Today, digital visual effects sequences in mainstream cinema continue to be framed by film reviewers in negative terms: Philosophy has repeatedly denied cinema in order to grant it artistic status.

Archive Books, is now available as a free download! Rondolino – Tomasi, Manuale di storia del cinema, Utet, Torino, 2. The intention is also playful, and unpicking the transnational trajectory bazn the two musicians uncovers surprising elements to this hidden history.

Revista de Cultura Audiovisual, v. Spring The Passages Promotional Video is now available to view below. McKay oversees the IntermIdia website, the production and collation of visual and web content for the project, as well as the day-to-day running of finances and event impurl. This seven-screening programme offered a rare chance to see some of the films that defined tropicalist imaginary of the 60s and 70s, alongside contemporary works responding to, restoring or even resisting the legacy of the previous generation.