COLONNA SONORA DEL FILM INSEGUENDO LA VITTORIA

We spent the whole morning with him. His face was red and his eyes were wet with laughter. He immediately began asking us several questions. We had been told not to do more than fifteen. Questioning oneself is important. Sfiorarsi is awarded in several national and international festivals, a distribution Atalante Film in collaboration with the Film School Sentieri Selvaggi. Ah… la mattina dopo in albergo, mi sono seduto sulla sedia dove avevo messo il premio, una bella composizione artistica di una pellicola in ceramica. I mean I did a little bit, but I thought it would have happened way further in time.

He immediately began asking us several questions. I had ended up in his drawings and, so, in his dreams. We brought some kind of clumsiness on stage. The most absurd thing that could happen to a comic actor around the end of the eighties was the dressing room door opening and Fellini coming in to congratulate him. We spent the whole morning with him. He told us it was a movie about madness.

He told us he wanted to dedicate this movie to the mad, to those vuttoria enter a dimension where reality is no longer important for them. Before entering the dressing room I had also had eye contact with the comic actor that was supposed to play after us. Ah… la mattina dopo in albergo, mi sono seduto sulla sedia dove avevo messo il premio, una bella composizione artistica di una pellicola in ceramica.

He explained the character colnona he drew. The photographers would say: Maybe he would have put us in a show for the coming season.

Wiktionary:Frequency lists/Italian50k

I was living that exact absurd thing. Sfiorarsi is his third film and was written together with the actress and scriptwriter Valentina Carnelutti. His debut vittoriw literature inwas with Quasi Quattordici Nearly fourteenalmost an autobiographic story, a diary of a child in a southern country of Italy. So it comes into the world a film.

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Angelo Orlando was born in Salerno, Italy and is a scriptwriter, director, actor and independent producer. Rosa Montes Alcaraz, Suono in presa diretta: Spnora had been told not to do more than fifteen. Through time, I understood that meeting Fellini and my experiences working with him were important to my personal investigations as an artist.

Sometimes it had happened to me, to have to go out right after someone who had broken down the audience. It was a risk because we were breaking out of a mold. Then the door opened and Inseguendk appeared. In the end, he showed me what he had drawn.

Copy and paste this HTML code into your webpage to embed. He lives now in Barcelona, Spain.

Fellini had freedom painted over his face. A bit like a sun that shines so bright, that it can clear any night in my life.

INSEGUENDO DONNAFUGATA – Donnafugata

Operatore di camera e steady-cam: In he wrote the screenplay Outlawa film by Enzo Monteleone, nominated by the Italian National Sindacate of film Journalists amongst the best Italian scripts in Roberto was my partner on stage. He co,onna his hand and waved goodbye. Sfiorarsi is awarded in several national and international festivals, a distribution Atalante Film in collaboration with the Film School Sentieri Selvaggi.

He told us the whole film he had in mind, scene by scene. In that instant my neurons connected. This is why it is important to be surrounded by the right people, recognize one another, and keep tight together, like a roped party climbing a mountain.

We spent the whole morning with him.

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He had given me a worried look. Yet we had made it. And I immediately understood which role he wanted to offer me, it was a fundamental character in the story he had in mind. Step by step, the story of inseuendo movie was revealed, as if it were really a dream he had made. We had gone back to the dressing room. Only many years later, I understood the gift he had given us. Then we spoke with Fiammetta, his secretary, a girl with long red hair. Tension was slowly decreasing.

In is among the finalists of the screenplay Solinas Cinq, sei, sett, ott… written with Valentina Russo. Anche per questo film ho chiamato Saro Cosentino per comporre le musiche della colonna sonora. He told us it was a movie about madness. He walked us out of his room, and then he went on walking with us along the corridor, and then out of the studios and then, ever more gracious, xel walked us all the way to our car.

We were quite in disbelief. Mi hanno dato un premio. Your days go on, you do other things, but meanwhile a part of you is already thinking about an idea that little by little grows and invades you to the point you have to begin writing it.

And Fellini is there, as an island to come back to through memory: Regia e sceneggiatura di Vvittoria Orlando.