This clearly relates to the situation of Kishore and Rajar after her kidnapping. Please enter your email address and we will email you a new password. It was very influential in the early years after Independence including in mainstream and independent filmmaking. View All Audience Reviews. A River Called Titas 7. Eros and Thanatos , drives towards life and death accompany these doomed cinematic mortals against the background of a passionately indifferent nature. Each month we’ll take a look at a number of exciting releases across metal’s many subgenre’s to distill the swarm down to what we deem worthy of your precious time.
Alongside Satyajit Ray ‘s Kanchenjungha  and Mrinal Sen ‘s Calcutta 71 , Titash Ekti Nadir Naam is one of the earliest films to resemble hyperlink cinema , featuring multiple characters in a collection of interconnected stories, predating Robert Altman ‘s Nashville You are commenting using your Facebook account. Really, it’s several interconnected stories, each following the inhabitants living along the river over the course of many years. It is on this trip that Kishore meets Rajar, whom he rescues in a village conflict. More time passes, Rajar Jhi now has a son, presumably from her one night with Kilshore. Arun Saha, Shubashish, Bulbul Ahmed. When Basanti attempts to assume guardianship of Ananta, she continually asserts the importance of a mother figure, and near the end of the film, as she suffers from a beating, she states, “There’s only one real thing in the world:
Edit Storyline A fisherman, Kishore, marries Basanti when he visits a nearby village. Ritwik Ghatak from a novel by Advaita Mallabarman Phot: Arun Saha, Shubashish, Bulbul Ahmed. Share this Rating Title: Log in with Facebook.
Self-taught mmovie Adia Victoria who sings and plays the blues discusses in this in-depth interview what it took to find a voice that had been silenced. He then marries her and takes her back to his village. The moments where their friendship is experienced are easily the happiest in the film, and it presents something rare in all of cinema. A fisherman, Kishore, marries Basanti when he visits a nearby village. There’s a wealth of work on display in Shape of Lightfrom the Tate Modern’s exhibit, perhaps one of the finest general collections of abstract photographs currently available in print form.
In Defence of A River Called Titas (Ritwik Ghatak, ) • Senses of Cinema
It was very influential in the early years after Independence including in mainstream and independent filmmaking. Later it turned out that Kishore and Basanthi were childhood lovers.
Really, it’s several interconnected stories, each following the inhabitants living along the river over the course of many years.
There is an entry on another Ghatak film, Subarnarekha on this Blog. The Adventures of Goopy and Bagha Eros and Thanatosdrives towards life and death accompany these doomed cinematic mortals against the background of a passionately indifferent nature. She washes up on dry ground, still barely alive, but the incident has made Kilshore unstable. Not coincidentally, the main relationships of Kishore, Basanti and Rajar Jhi mirror tales of the romantic life of Krisha, and the lovers’ triangle he had with his wife, Rukmini, and his lover, Radha.
She escapes into the river, but she is lost, and Kishore, believing her dead, goes mad. They meet accidentally and are helped by King of Ghosts. The village falls apart. The grief-stricken, widowed bride floating in the shallows, her hair billowing in muddy swirls, brings to mind Ophelia, and Ghatak lingers on that image before cutting to Ananta’s cry and then to Basanti in prayer.
Both filmmakers often create a documentary look, and show the influence of Neorealism. This site uses Akismet to reduce spam. Leave a Reply Cancel reply Enter your comment here Fear Amar Lenin Ramkinkar Baij Here we have two women and young boy subconsciously morphing into a family.
Exploring different sectors of life is one of the most amazing aspects of both the film and the novel. As its livelihoods evaporate, the village is fractured and its residents become more desperate and self-serving. Director Ghatak appears in the film as a boatman, and Basanti’s story is the first of several melodramatic tales. However, Ghatak uses songs rather than instrumental pieces, and these offer a commentary on the characters and events.
What better way to communicate the precious passing of time then to make pass time so quickly that the viewer can hardly get their bearings? Archived copy titass title link. This is a film which one should encourage local exhibitors to book and screen. The only thing she remembers is the name of the village Kishore belongs to.
Edit Did You Know? He fought great battles and ruled over a kingdom and finally ascended into heaven.
A River Called Titas (Titash Ekti Nadir Naam)
The film has some stunning close ups. Goopy wants to sing, and Bagha wants to play the dhol.
The community includes both Hindu and Muslim families, though Hindu characters dominate the narrative. It is tale of those marginal people belonging to a poorer fishing community who live from hand to mouth. Madhumati Kumari Mon Rajkanya Rajar Jhi and Kilshore have one evening together before she is kidnapped by bandits.
You are commenting using your Facebook account. Again, life on the Titas continues. Ananta has visions of his dead mother and she is dressed as the goddess or a princess. There are numerous fine sequences. When she is found, she has amnesia; although Basanti does not remember her new husband’s name or naak he looks like, she remembers the name of his village. Movie Info An exploration of traditional culture struggling to exist in a changing world, A River Called Titas depicts the dramatic ways in which a community is separated and brought together amidst movif extinction.